Healing doesn’t have to be heavy.

Trauma-informed use of humour and storytelling to support emotional regulation, confidence, and recovery.

CBT-certified facilitator integrating formal comedy training in improv, sketch, late-night writing, and stand-up to support trauma-informed healing and emotional recovery.

Canadian Look Media

Breakfast tray with toast, mashed potatoes, sausage, and a cup of coffee, surrounded by condiments, snacks, and beverages on a kitchen counter.

Myth-informed, educational history of folk magic

CBT-certified facilitator teaching the history of folk magick, from early shamanism through Wiccan traditions, emphasizing education, cultural preservation, historical literacy, ethical context, and community learning through storytelling, mythic symbolism, and respectful academic framing, grounded in cross-cultural research and inclusive pedagogy..

Who We Are

Four golden theatrical masks with smiling faces surrounded by intricate gold Celtic knotwork on a dark green background.

Laura is a Canadian writer, performer, educator, and lifelong practitioner of folk magick with nearly four decades of independent study. Her work bridges history, comedy, trauma-informed education, and cultural storytelling.

She has trained extensively in stand-up comedy, improv, sketch, and late-night writing through Second City Chicago and related programs, and applies those tools to teaching, facilitation, and public education. She is a CBT-informed facilitator with experience designing courses that integrate nervous-system regulation, humour, and ethical group practice.

Laura has taught and researched the history of folk magick, witchcraft, and early shamanic traditions, with a focus on cultural context, survival practices, and intergenerational knowledge rather than aesthetics or belief enforcement. Her work emphasizes respect, discernment, and accessibility.

She is the founder of Canadian Look Media, creating original courses, performances, and commentary that blend education, satire, and lived experience—because sometimes the truth lands better when it laughs first.

A Canadian Look

A Canadian Look is a satire and commentary channel examining politics, media, and cultural nonsense through a distinctly Canadian lens—dry, skeptical, historically literate, and allergic to bullshit.

We don’t shout at the news. We let it finish talking.

This channel looks at how power explains itself, how media repeats it, and how ordinary Canadians are expected to nod politely while footing the bill. It blends sharp observation, receipts-based humour, and long memory—because in Canada, the problem is rarely noise. It’s amnesia.

Polite doesn’t mean passive.
Calm doesn’t mean compliant.
And comedy still gets to notice things.

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Why Comedy

Comedy isn’t a distraction.
It’s a pressure release valve.

Long before therapy, commentary, or social media, humour helped humans signal safety, share truth, and survive uncertainty together. When used with intention, comedy restores perspective, reduces fear, and makes difficult conversations possible without stripping anyone of dignity.

At Canadian Look Media, humour is used ethically—never to punch down, bypass pain, or perform outrage—but to clarify, connect, and return agency to the speaker and the listener.

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Witches, Wise Folk & Survival Magick: A Living History

A grounded, story-driven exploration of folk magick and witchcraft from early shamanic practices through medieval cunning folk to modern traditions.

This course treats magick as lived cultural history—rituals, healing, symbols, and survival knowledge passed hand to hand, not fantasy or aesthetic.

Trauma-aware, respectful, and occasionally sharp-witted, it focuses on how ordinary people used magick to endure hardship, protect community, and carry wisdom forward when official systems failed them.

Snag your spot

Scheduling a meeting with us is like sitting down with an old friend who only wants the best for you. We can't wait to chat and explore how we can assist you on your educational journey.

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Empty classroom or lecture hall with beige walls, rows of padded chairs, a stage with a blackboard, and large windows on the right letting in natural light.